(1852 C 15 August 1909 in Hindhead) was from 1871 the second wife of the painter Lawrence Alma-Tadema and a painter in her own right. A daughter of Dr George Napoleon Epps (who was brother of Dr John Epps), her two sisters were also painters (Emily studied under John Brett, a Pre-Raphaelite, and Ellen under Ford Madox Brown), whilst Edmund Gosse and Rowland Hill were her brothers-in-law. It was at Madox Brown's home that Alma-Tadema first met her in December 1869, when she was aged 17 and he 33. (His first wife had died in May that year.) He fell in love at first sight,and so it was partly her presence in London (and partly the fact that only in England had his work consistently sold) that influenced him into relocating in England rather than elsewhere when forced to leave the continent by the outbreak of the Franco Prussian War in July 1870. Arriving in London at the beginning of September 1870 with his small daughters and sister Artje, Alma-Tadema wasted no time in contacting Laura, and it was arranged that he would give her painting lessons. During one of these, he proposed marriage. As he was then thirty-four and Laura was now only eighteen, her father was initially opposed to the idea. Dr Epps finally agreed on the condition that they should wait until they knew each other better. They married in July 1871 and, though this second marriage proved childless, it also proved enduring and happy, with Laura acting as stepmother to her husband's children by his first marriage. The Paris Salon in 1873 gave Laura her first success in painting, and five years later, at the Paris International Exhibition, she was one of only two English women artists exhibited.  Related Paintings of Laura Theresa Alma-Tadema :. | A Greek Woman Sir Lawrence Alma | Not at Home Sir Lawrence Alma | Interno della chiesa di San Clemente | Sappho and Alcaeus | Women of Amfiss |
Related Artists:
Francesco Curradi
Italian Baroque Era Painter, 1570-1661 son of Taddeo Curradi. He produced many devotional works and had a large clientele. At their best, the works are distinguished by lucid draughtsmanship, simple compositions and elegant, melancholy figures. Curradi was trained in the studio of Giovan Battista Naldini and in 1590 matriculated from the Accademia del Disegno, Florence. His first independent works include a Virgin and Child with Saints (1597; Volterra, S Lino) and a Birth of the Virgin (1598; Volterra Cathedral), both signed and dated. These paintings reflect the new clarity and directness introduced into Florentine painting by such artists as Santi di Tito and Jacopo Ligozzi. Subsequent works include a Crucifixion (1600) and a Virgin and Saints (1602; both Legnaia, S Angelo). In these the influence of Naldini yielded to that of Lodovico Cigoli and his circle, while the mildness of expression in the figures was inspired by Domenico Passignano. An album of 87 red chalk drawings, with scenes from the Life of St Mary Magdalene dei Pazzi (1606; Florence, convent of the Carmelites at Careggi) distinguished by their precision and clear, characteristically Florentine compositions, contributed to the iconography of this popular Counter-Reformation saint. In 1607 Curradi was commissioned to portray her mortal remains, and this painting, together with the drawings,
Francis Barraud
(14 November 1899 - 11 September 1934) was a Swiss painter. Barraud was the eldest of four brothers who all painted or sculpted at various points in their lives.The brothers, François, Aim, Aurle and Charles, were largely self-taught artists having been raised as professional plasterers and house painters. Barraud attended evening classes at the local art school in 1911 together with his brothers. In 1919, he exhibited his paintings in La Chaux-de-Fonds and participated in the National Exhibition of Fine Arts in Basel.Encouraged by the success of the exhibitions he left Switzerland in 1922, and moved to Reims in France where he worked as a house painter for two years. He married Marie, a French woman, in 1924. Marie subsequently featured as a model in several of his paintings.Around 1924 or 1925, Barraud found work in Paris as an artist and craftsman. While living in Paris he studied painting at the Louvre. François Barraud painted mainly still lifes, female nudes and portraits, including several double portraits of himself and his wife, Marie His precise, realist style of painting developed under the influence of the old Flemish and French masters he had studied at the Louvre. Barraud suffered periods of illness throughout his life and died of tuberculosis in Geneva, in 1934, at the age of 34.
Anton Moller
Anton Moller (1563 - January 1611) was a German painter and draughtsman. Moller was born in Konigsberg. He primarily painted religious themed works. He also produced a number of woodcuts. Möller died in Danzig in 1611.